The Fujifilm X-T4 is a mirrorless camera that has a dual personality. On the surface, it has classic dials and analog flair. Still, on the inside, it is packed with more sophisticated capabilities than any other Fujifilm X-T camera we have seen.
It’s hard to resist the appeal of this pairing. The Fujifilm X-T4, much like the X-T3, is aimed at both enthusiastic amateur and professional photographers looking for the most cutting-edge mirrorless power in fun and appealing packaging. However, things are different this time since the X-T4 has turned the “all-rounder” dial to 11.
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Incorporating in-body image stabilization (IBIS) is the most fantastic piece of information since it makes this camera just the second Fujifilm camera overall to have this function, the first being the Fujifilm X-H1, which was released in 2013. IBIS is helpful for photographers who capture static images and moving subjects, and introducing this feature in the X-T4 brings it on par with competitors like the Sony A6600.
Fujifilm X-T4 Build Quality
The X-T4 is not an exception to the general rule that Fujifilm does not make significant changes to the design of its vintage cameras. Let’s say that if you’ve ever picked up a camera from the X-T series in the past, you’ll have no trouble adjusting to this one.
We are big supporters of the high-quality Fujifilm X-T philosophy. It revolves around those striking dials in an analog design located on the top plate. ISO, shutter speed, and exposure correction are all controlled by their separate dials.
This, in conjunction with the aperture ring found in many of Fujifilm’s lenses, puts all of the essential exposure adjustments right where you need them to be: at your fingers. Not only does utilizing old dials not take more time than using the new general control dials, but it is also arguable that using these dials is more systematic and is, without a doubt, more endearing.
If you find that the aesthetics of a camera encourage you to use it more, then the X-T4 has a good chance of becoming your go-to device. There is undeniably an emotional connection shared by those passionate about cameras.
The construction quality is unparalleled. The all-metal construction of the X-T4 is both impervious to the elements and rock-solid. The X-T4 is larger and heavier than the X-T3 due to the inclusion of a new IBIS unit; nonetheless, the camera is still far lighter than an enthusiast-level DSLR, weighing just 603g.
Fujifilm X-T4 Autofocus
IBIS, a new battery, and a new shutter mechanism are the three primary features that make the Fujifilm X-T4 the most significant step forward for the series yet, even though it seems pretty identical to its X-T predecessors.
Aside from that, the most notable features of the X-T4 are almost precisely the same as those of the X-T3, a camera nearly 18 months older. You get the same 26.1-megapixel back-illuminated APS-C sensor, which is the best in its class regarding the level of detail it captures and how well it performs in low light. Don’t try to mend something that isn’t broken.
Then there is a movie shooting requirement that still holds true today: Cinema 4K movies at up to 60 frames per second, 10-bit internal recording in addition to HDMI output, up to 400Mbps data rate, and including F-Log and HLG profiles as standard. Full HD videos may be shot in slow motion at up to 240 frames per second. The X-T4 is capable of producing videos with high-quality visuals, which is something you may want.
The important news is that in-body image stabilization is now available (IBIS). When paired with one of Fujifilm’s stabilized lenses, the sensor-shift unit offers up to 6.5EV (or exposure value) of stabilization, which is one stop more than the one found in the Fujifilm X-H1 camera. This information can be found on paper.
Fujifilm X-T4 Performance
Therefore, how exactly does the picture stabilization work on the Fujifilm X-T4? During our test, we used the 16-80mm f/4 WR lens, which boasts a stabilization range of up to 6EV (or stops) when both optical stabilization (OIS) and sensor-shift stabilization (IBIS) are engaged. This lens was available to us for our evaluation.
After several repeated efforts with a steady hand, we obtained effective stabilization closer to 4EV (or four stops). One might also say the same thing about the 35mm f/1.4 lens.
Regarding photography, such promises of 6.5EV may be a little too optimistic. Nevertheless, we would be curious to test out more lenses. The Olympus OM-D E-M1 Mark III has a significantly improved stabilization system.
Even yet, compared to the X-T3, the image stabilization on the X-T5 is a marginal step forward. Those who use an X-T camera that does not have a lens that is optically stabilized will also find this a game-changer.
Concerning the video, it should go without saying that sensor-shift stabilization is an advantage over no stabilization. The shake brought on by the vibrations created by walking is less severe, but it is still present. Although this is not the finest IBIS we have seen in the past, it is unquestionably an improvement over the X-T3.
Things go from bad to much better after you turn on the digital stabilization in addition to the optical and image-based stabilization. The shake has almost wholly disappeared. The disadvantage of using digital stabilization is that it results in a crop factor of 1.1x being applied to the footage, and the overall atmosphere of the video is altered in some way.
To summarize, the X-T4 IBIS does not eliminate the requirement for a gimbal, but it is a beautiful addition, and the performance is awe-inspiring when digital stabilization is included.
Fujifilm X-T4 Image Quality
It’s worth performing a recap and mentioning the beneficial impact of image stabilization and this camera’s better shooting performance. Our review of the Fujifilm X-T3 covers many of our opinions on the X-picture T4’s quality, but it’s worth a recap.
The X-T4 uses the same 26.1-megapixel APS-C sensor found in the X-T3, along with the same native ISO range (from 160 to 12,800), video resolution, and frame rates.
Since there is no evidence of luminance noise in photographs that have been well exposed, we would not have any reservations about utilizing any of the sensitivity settings up to ISO 6400. Even the expanded ISO 80 to ISO 51,200 range may be used; it is not only included for the sake of its numbers.
The X-T4 (and the X-T3) are the only cameras in this class that can compete with the X-performance T4s in low light or the X-level T3s of resolved detail (depending on which lens you use). If you are looking for photographs of exceptional quality, the X-T4 will not disappoint you.
Fujifilm X-T4 Specs
| Body type | SLR-style mirrorless |
|---|---|
| Body material | Magnesium alloy |
| Sensor | |
| Max resolution | 6240 x 4160 |
| Image ratio w:h | 1:1, 3:2, 16:9 |
| Effective pixels | 26 megapixels |
| Sensor size | APS-C (23.5 x 15.6 mm) |
| Sensor type | BSI-CMOS |
| Processor | X-Processor 4 |
| Color space | sRGB, Adobe RGB |
| Color filter array | X-Trans |
| Image | |
| ISO | Auto, 160-12800 (expands to 80-51200) |
| Boosted ISO (minimum) | 80 |
| Boosted ISO (maximum) | 51200 |
| White balance presets | 7 |
| Custom white balance | Yes (3 slots) |
| Image stabilization | Sensor-shift |
| Image stabilization notes | Some lenses limited to 5 stops of correction |
| CIPA image stabilization rating | 6.5 stop(s) |
| Uncompressed format | RAW |
| JPEG quality levels | Fine, normal |
| File format | JPEG (Exif v2.3)Raw (14-bit RAF) |
| Optics & Focus | |
| Autofocus | Contrast Detect (sensor)Phase DetectMulti-areaCenterSelective single-pointTrackingSingleContinuousTouchFace DetectionLive View |
| Autofocus assist lamp | Yes |
| Manual focus | Yes |
| Number of focus points | 425 |
| Lens mount | Fujifilm X |
| Focal length multiplier | 1.5× |
| Screen / viewfinder | |
| Articulated LCD | Fully articulated |
| Screen size | 3″ |
| Screen dots | 1,620,000 |
| Touch screen | Yes |
| Screen type | TFT LCD |
| Live view | Yes |
| Viewfinder type | Electronic |
| Viewfinder coverage | 100% |
| Viewfinder magnification | 1.125× (0.75× 35mm equiv.) |
| Viewfinder resolution | 3,690,000 |
| Photography features | |
| Minimum shutter speed | 30 sec |
| Maximum shutter speed | 1/8000 sec |
| Maximum shutter speed (electronic) | 1/32000 sec |
| Exposure modes | ProgramShutter priorityAperture priorityManual |
| Built-in flash | No |
| External flash | Yes (via hot shoe or flash sync port) |
| Flash X sync speed | 1/250 sec |
| Drive modes | SingleContinuous (L/H)Bracketing |
| Continuous drive | 20.0 fps |
| Self-timer | Yes |
| Metering modes | MultiCenter-weightedAverageSpot |
| Exposure compensation | ±5 (at 1/3 EV steps) |
| AE Bracketing | ±5 (2, 3, 5, 7 frames at 1/3 EV, 2/3 EV, 1 EV, 2 EV steps) |
| WB Bracketing | Yes |
| Videography features | |
| Format | MPEG-4, H.264, H.265 |
| Modes | 4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 400 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 400 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 240p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 50p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 25p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 24p / 200 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM |
| Microphone | Stereo |
| Speaker | Mono |
| Storage | |
| Storage types | Dual SD/SDHC/SDXC card slots (UHS-II supported) |
| Connectivity | |
| USB | USB 3.2 Gen 1 (5 GBit/sec) |
| USB charging | Yes |
| HDMI | Yes (micro-HDMI) |
| Microphone port | Yes |
| Headphone port | No |
| Wireless | Built-In |
| Wireless notes | 802.11b/g/n + Bluetooth |
| Remote control | Yes (via smartphone or wired remote) |
| Physical | |
| Environmentally sealed | Yes |
| Battery | Battery Pack |
| Battery description | NP-W235 lithium-ion battery & charger |
| Battery Life (CIPA) | 500 |
| Weight (inc. batteries) | 607 g (1.34 lb / 21.41 oz) |
| Dimensions | 135 x 93 x 84 mm (5.31 x 3.66 x 3.31″) |
| Other features | |
| Orientation sensor | Yes |
| Timelapse recording | Yes |
| GPS | None |
Fujifilm X-T4 Verdict
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At this time, the Fujifilm X-T4 is the most impressive APS-C mirrorless camera that money can buy. There is plenty here to convince both photographers and filmmakers to choose this model over the X-T3, including a much-increased battery life, in-body image stabilization, a quieter shutter, and design modifications that make a significant difference to the handling of the camera.
The X-T4 has a design that is both appealing and straightforward, and it also has a class-leading photo and video specifications, which are supported by robust performance. This is two cameras in one, and it’s a pretty good hybrid that can do many different things.
